Abstract :
This thesis is a map of the internal logic of my sculptural practice, as explored through associative memory, poetry, visual reference and metaphor. The intent of this exploration is not to draw an overarching conclusion from the intersection of the work I have collected and created, but to illustrate the variety of collection, adaptation and interpretation processes in my practice. This thesis is intended as a poetic contribution to the discussion of soft, non-concrete logic and its relationship to established processes of making meaning through material in sculpture. This text is intended to be read as an attempt to describe what cannot be fully shown through text, image or object alone. It is a documentation of in between spaces in perception, the recollection of core memories and the impact that has on the choices that are made in artistic creation. I attempt to show here that material metaphor, textile craft processes and the use of evocative poetic language is a valuable and effective method of communicating sculptural concerns in a fine arts context. |
If you want to cite this thesis in your own thesis, paper, or report, use this format (APA):
Hutchings, E. (2023). to put a pin in a cloud.
Unpublished thesis, Hogeschool PXL, PXL-MAD.
Retrieved
from
http://doks.pxl.be/doks/do/record/Get?dispatch=view&recordId=SEtd8ab2a82189043c830189069a91d30019.
|
Home 
